Thursday 23 April 2015

Editing - revision

Task 1:
Discuss the following with a partner.
  • What is the point of editing?
  • What does it achieve?
  • What effect does it have in TV drama?



Task 2:
Brainstorm all the different types of editing you can.



Task 3:
Now write what each type of editing does - and importantly - the effect of the editing.




Task 4:

Look at the editing hand-out - have you missed any areas of editing? Have you misunderstood any areas, what they do, and their effects?


Task 5:
Get into pairs - enough for seven groups.

In your pair you are going to analyse a clip for editing - looking at specific area of representation. You have 20 mins to watch the clip and produce a short presentation for the rest of the class (of no more than 5 mins).



In your presentation you should include:
  • A brief introduction that rounds up what impact the editing has on the ENTIRE clip
  • Screen shots of editing features you have found
  • Terminology
  • Explanation of the effect of those shots IN RELATION TO REPRESENTATION


Areas of representation and clips:


Independent revision 
Excellent website for revising editing - including clips and explanations.


Areas of representation and music videos:



Wednesday 15 April 2015

Sherlock - exam practise


Task 1:

  • Get into 4 groups
  • Each group is responsible for one area of textual analysis
  • Watch the clip
  • Write down every feature for your area of TA that you can see in the clip and when it is used
  • Swap your paper with another group
  • Annotate your new sheets with how the TA feature has been used to represent gender
  • Swap your paper with another group
  • Add to your peers' discussion with further ideas/different interpretations
  • Swap your paper with another group
  • Add any theories you've covered in class with relation to gender/representation that you could use to support the arguments on the paper
  • Return the paper back to the original group


Task 2:

  • Spend 10 mins preparing a short presentation on your area of TA
  • Take notes and ideas from your peers' work on representation in the clip


Task 3:

  • Using the notes you've made, write up an exam answer to the question: How is gender represented in the clip from Sherlock Holmes?

Examiner's report - Media Studies key concepts G322/3

Examiner's reports are really helpful as they can reveal what the examiner is looking for when marking your exam answers. Some key points from last year's examiner's report:
  • Those candidates achieved well offered sustained and detailed responses.
  • Responses were frequently punctuated with detailed reference to contemporary and relevant examples.
  • Fully rewarded for some insightful and academic use of key media concepts
  • Candidates who did not meet the highest levels often lacked detail in arguments and offered a basic response.
  • Candidates struggled where they failed to manage their time.


Representation and textual analysis:
  • Integration of terminology
  • Variety in representations - not just focused on one type
  • Fluctuation in representation - not the same all the way through the clip
  • Sequenced ideas - work your way through the clip
  • Balanced and integrated analysis - covering all areas of TA
  • Biggest area of development in all responses is editing
  • Links need to be made between areas of TA and the representation


Areas of representation:

    • Gender, age, ethnicity, sexuality, class and status, disability/ability, regional identity


    Areas of textual analysis:
    • Camera shots, angle movements, composition
      • Establishing shots, master shot, close-up, mid-shot, long shot, wide shot, two-shot, aerial shot, point of view shot, over the shoulder shot, variations.
      • High angle, low angle, canted angle.
      • Pan, tilt, track, dolly, crane, steadicam, hand-held, zoom, reverse zoom.
      • Framing, rule of thirds, depth of field, deep and shallow focus, focus pulls.
    • Editing
      • Shot/reverse shot, eyeline match, graphic match, action match, jump cut, crosscutting, parallel editing, cutaway, insert.
      • Dissolve, fade-in/out, wipe, superimposition, long/short take, slow motion, ellipsis, expansion of time, post-production, visual effects.
    • Sound
      • Score, incidental music, themes and strings, ambient sound
      • Diegetic and non-diegetic sound, synchronous/asynchronous, sound effects, sound motif, sound bridge, dialogue, voiceover, mode of address/direct address, sound mixing, sound perspective.
    • Mise-en-scene
      • Production design, location, studio, set design, costume, make up, properties
      • Lighting
      • Colour design